In fact, it's more the opposite: we actively seek to introduce techniques and trainings to each other, in full faith that most theatrical (and for that matter artistic, spiritual, and philosophical) 'forms' have all pursued the asking, if not answering, of the same questions.

That said, there are a few approaches that sit at the heart of our origin story. This includes a prioritization of personal connection, rigorous text work, physical expressivity, anatomical sensitivity and awareness, and big picture consciousness of the social, cultural, and political implications of our bodies in space, with each other, saying the words we say and telling the stories we tell.

CTC not only draws these into our performance practice but also offers classes in Shakespeare,  movement, and more.